The story of John Quelch, mariner turned privateer turned pirate, is a controversial one. On the one hand, we have a man whose piracy is fairly well documented due to a sensationalized trial in Boston during the summer of 1704. Quelch did indeed sign aboard the Massachusetts privateer Charles, probably as First Lieutenant, where he preceded to lead his fellow crewman in mutiny, toss their captain overboard and make for the coast of Brazil to plunder Portuguese merchants. On the other, certain modern historians argue that Quelch, and the dozen or so men hanged with him, was the victim of railroading by prominent Boston businessmen who did not want their names attached to piracy. Either way, Quelch is one of the first men to be tried for piracy in the British Colonies of North America proper.
John Quelch’s early life is a mystery, which should surprise no one who studies pirates and piracy. Philip Gosse, who is one of Quelch’s main biographers, will say only that he was a native of Massachusetts Colony. He was certainly familiar with the sea when he signed aboard the brig Charles of 80 tons in 1703. Charles was captained by Daniel Plowman and was sponsored by a group of Boston businessmen who had obtained for her a letter of marque to raid French ships off the coast of Newfoundland. This was a potentially lucrative endeavor at the time with the fisheries off the coast of modern Canada booming. The problem for those at sea was the weather, cold and generally dirty even during the summer months, and the puny prizes available. A privateer in those waters would have to work almost as hard as the fishermen he preyed upon.
Whether or not this consideration was what drove Quelch to stir up a mutiny is unknown. What we do know is that, shortly after Charles departed from Marblehead, the crew took her over. They locked Captain Plowman away, either in his cabin or below decks, elected John Quelch as their leader and set a course for the coast of Brazil. Along the way, Plowman would be committed to the deep, either killed first or thrown overboard alive.
Upon entering Brazilian waters, Charles went straight to work. According to Clifford Beal in his 2007 publication Quelch’s Gold, Quelch and his men took nine Portuguese ships from late 1703 to early 1704. These were wealthy merchants full of not only saleable goods like cloth, hides, wine and guns but specie as well in the form of gold dust, jewels and coins. The value of Quelch’s haul has been estimated at over 1 million in modern U.S. dollars.
Apparently satisfied with this impressive booty, Quelch turned for home. According to local rumors, Charles landed at Star Island, New Hampshire where someone – possibly Quelch himself – buried some of the loot. This very unlikely happenstance grew into legend when gold coins were found beneath a stone wall on the island in the mid-1800s. Whatever the case, Charles returned to Marblehead and the crew quickly dispersed to spend their ill-gotten gains. Quelch seems to have had no qualms about what he had accomplished for he was very soon arrested and sitting in jail in Boston. Authorities sent navy ships to apprehend Quelch’s crew and a dozen or so were rounded up to join their former captain in gaol.
On June 17, 1704, a trial was held at the Star Tavern in Boston. The sailors, now beaten down after too much time chained in filthy cells, were by and large defiant nonetheless. Though extreme physical torture does not seem to have been used on the prisoners – that sort of thing being tacitly illegal in British courts – they do seem to have been badgered relentlessly for confessions and repentance by local ministers. Gosse, who’s The Pirates Who’s Who has an entry, however brief, on 40 of the pirates, notes that most were “wretched” and “beaten down” by the time they came to the gallows at Scarlil’s Wharf, Boston. Gosse quotes from “a pamphlet published at the time”:
The Ministers of the Town used more than ordinary Endeavours to Instruct the Prisoners and Bring them to Repentance.
What this means in practice we cannot say, but Massachusetts as a whole and Boston specifically was still a stronghold of Puritan religion in the New World. That these pirates were treated little better than the “witches” of Salem Village is probably a very safe bet.
Quelch and his men were marched through Boston barefoot to the wharf with a heavy guard and the silver Admiralty oar carried before them. This made their execution an official maritime punishment and they were hanged as if on the dock at Wapping, within sight of the ocean. Legend has it that they were buried on the shore at low tide. Only one of their number was pardoned; a thirteen year old boy named John Templeton was determined to have been “only a servant on board” and therefore no part of the mutiny that killed Captain Plowman.
The previously mentioned pamphlet has John Quelch saying to the crowd as the noose was placed around his neck, “They should take care how they brought Money into New England to be Hanged for it.”
Many historians believe that Quelch felt he was within the parameters of his letter of marque in taking those Portuguese merchants. Some have gone so far as to call the hanging of Quelch and his mates the “first case of judicial murder in America.” To me this statement goes too far and points to the misunderstandings still in circulation about privateering and letters of marque. If the facts as they have come down to us are true, then Quelch did turn pirate. His letter of marque was against French shipping only, making the taking of a ship of any other nationality piracy. Then too there is the little matter of murdering Captain Plowman if we want to do more than split hairs.
Whether Quelch was a bloodthirsty villain who got what he deserved or a pawn of greater men in the same manner as William Kidd, I’ll let you judge, Brethren. History is always one part detective work, two parts educated guess and a little crazy supposition thrown in to taste.
Header: Quelch’s alleged flag known as “Old Roger”: it is probably that the flag never flew from the masthead of Charles
Thursday, December 8, 2011
Tuesday, December 6, 2011
The Pirate's Own Book: In the Eastern Sea
Charles Ellms rarely had first hand knowledge of the pirates he wrote about in his seminal work on freebooters. Since the book was published in the 1830s, well after the threat of piracy along the coasts of North and South America had been all but eradicated, he necessarily had to count on second, third or even fourth hand accounts when writing about Christopher Condent or Edward England. The one exception to that rule in The Pirate’s Own Book is Chapter 13: “Authentic History of the Malay Pirates.” In it, Ellms states that he has witnessed these East India pirates with his own eyes, if not in action certainly upon the ocean they called home.
It is curious that this should be the area of piracy with which Ellms is most familiar. His work on pirates, though often more fantasy than reality, is considered standard reading for those who study freebooters. It seems that should also hold true for those who hunt modern pirates; aside from the Gulf of Aden, the Malaysian Archipelago is still one of the main hotbeds of piracy.
Ellms is not kind to the people of whom he writes and the taint of “western superiority” jumps off the page almost immediately. While he is careful to note that most of the tribal people along the coasts of East India Islands are law abiding citizens, he digs at certain of the groups, calling them “…barbarous and poor, therefore rapacious, faithless and sanguinary.” His recognition that the people are impoverished perhaps saves Ellms, if only just a little, from the harsh judgment of modern sympathies. In all places and times, want has driven men to actions they might not take if their families were well provided for.
The hierarchy of the pirates is simple and familiar, smacking of the Barbary corsairs of 200 years before. A wealthy chief funds the forays of the pirates, including provisioning and arming their ships, in return for a cut of the loot taken including captives, arms and any saleable goods. The pirate vessels, known as proas, according to Ellms who again has witnessed them first hand are:
… from six to eight tons burden, and run from six to eight fathoms in length. They carry from one to two small guns, with commonly four swivels or rantakas to each side, and a crew of from twenty to thirty men.
These particular pirates are not interested in chasing ships in open water but will approach a merchant vessel at anchor in groups, surround it and then get to the bloody business of boarding. Ellms tells us that they are “… upon the whole extremely impartial in the selection of their prey, making little choice between natives and strangers…” He is clear, however, that a “resolute crew of Europeans or Americans stand but little danger” from these freebooters.
Ellms does seem to sympathize with the pirates once again when he tells the story of the freebooting “prince of pirates” Raga. Rajah Raga, as he is referred to, was originally a sea captain who watched his crew drown at the hands of a European naval vessel. The westerners offered no help to the dying men and Raga “… swore anew destruction to every European he should henceforth take.” While he does not actually come out and say it, Ellms seems to understand the source of Raga’s rage, even if he does not condone it.
The last seven pages of the chapter tell the story of the Salem, Massachusetts merchant vessel Friendship, captured by Malay pirates in February, 1831. Ellms does not specifically say whether or not he was present at this event, but he happily details the bloody slaughter of Captain Endicott and a good many of his men. In the end, of course, the pirates are overcome by an unnamed U.S. Commodore who bombards the pirate port, encouraging them to surrender and give up to “punishment” those who committed aggression against the Friendship.
Ellms assessment of these pirates, who were his contemporaries, is both forward thinking and rooted in the prejudices of his era. On the one hand he notes their mistreatment by western governments and extreme poverty as reasons for their depredations of both local and foreign vessels. On the other, he writes them off as inferior and easily handled by a “resolute crew of Europeans or Americans.” It is a curious mixture of thoughts that does not come to the page anywhere else in the book.
Reading Ellms makes me wonder what our descendants, who will have so much in the form of media to judge us by, will think of our mores and attitudes some two hundred years in the future. The thought slips away pretty quickly though; I’m fairly certain I already know the answer.
Header: A Piratical Proa in Full Chase from The Pirate’s Own Book
It is curious that this should be the area of piracy with which Ellms is most familiar. His work on pirates, though often more fantasy than reality, is considered standard reading for those who study freebooters. It seems that should also hold true for those who hunt modern pirates; aside from the Gulf of Aden, the Malaysian Archipelago is still one of the main hotbeds of piracy.
Ellms is not kind to the people of whom he writes and the taint of “western superiority” jumps off the page almost immediately. While he is careful to note that most of the tribal people along the coasts of East India Islands are law abiding citizens, he digs at certain of the groups, calling them “…barbarous and poor, therefore rapacious, faithless and sanguinary.” His recognition that the people are impoverished perhaps saves Ellms, if only just a little, from the harsh judgment of modern sympathies. In all places and times, want has driven men to actions they might not take if their families were well provided for.
The hierarchy of the pirates is simple and familiar, smacking of the Barbary corsairs of 200 years before. A wealthy chief funds the forays of the pirates, including provisioning and arming their ships, in return for a cut of the loot taken including captives, arms and any saleable goods. The pirate vessels, known as proas, according to Ellms who again has witnessed them first hand are:
… from six to eight tons burden, and run from six to eight fathoms in length. They carry from one to two small guns, with commonly four swivels or rantakas to each side, and a crew of from twenty to thirty men.
These particular pirates are not interested in chasing ships in open water but will approach a merchant vessel at anchor in groups, surround it and then get to the bloody business of boarding. Ellms tells us that they are “… upon the whole extremely impartial in the selection of their prey, making little choice between natives and strangers…” He is clear, however, that a “resolute crew of Europeans or Americans stand but little danger” from these freebooters.
Ellms does seem to sympathize with the pirates once again when he tells the story of the freebooting “prince of pirates” Raga. Rajah Raga, as he is referred to, was originally a sea captain who watched his crew drown at the hands of a European naval vessel. The westerners offered no help to the dying men and Raga “… swore anew destruction to every European he should henceforth take.” While he does not actually come out and say it, Ellms seems to understand the source of Raga’s rage, even if he does not condone it.
The last seven pages of the chapter tell the story of the Salem, Massachusetts merchant vessel Friendship, captured by Malay pirates in February, 1831. Ellms does not specifically say whether or not he was present at this event, but he happily details the bloody slaughter of Captain Endicott and a good many of his men. In the end, of course, the pirates are overcome by an unnamed U.S. Commodore who bombards the pirate port, encouraging them to surrender and give up to “punishment” those who committed aggression against the Friendship.
Ellms assessment of these pirates, who were his contemporaries, is both forward thinking and rooted in the prejudices of his era. On the one hand he notes their mistreatment by western governments and extreme poverty as reasons for their depredations of both local and foreign vessels. On the other, he writes them off as inferior and easily handled by a “resolute crew of Europeans or Americans.” It is a curious mixture of thoughts that does not come to the page anywhere else in the book.
Reading Ellms makes me wonder what our descendants, who will have so much in the form of media to judge us by, will think of our mores and attitudes some two hundred years in the future. The thought slips away pretty quickly though; I’m fairly certain I already know the answer.
Header: A Piratical Proa in Full Chase from The Pirate’s Own Book
Monday, December 5, 2011
Ships: The Pirate's Choice
In 1713 the shipyard of Andrew Robinson at Gloucester, Massachusetts launched a completely new type of ship. She was light, no more than 100 tons in her true form, shallow of draft at a sleek five feet, could be run by as few as 75 men and sailed briskly regardless of the direction of the wind. Robinson called her the schooner and she ushered in a new age of fast, effective sailing not dreamed of prior to her introduction.
The word schooner is a conundrum as there are similar words in most Latinate languages and German as well. John Batchelor and Christopher Chant offer that the word actually comes from the Scottish dialect of Gaelic in their The Complete Encyclopedia of Sailing Ships. According to them, schooner derives from scoon:
… a verb describing the skipping progress of a stone skimmed over the water.
No more poetic description could be used to help one imagine the quick, bouncing form of a schooner in full sail. The sails, routinely fore-and-aft, were rigged on two masts and at first included one or two square topsails on the fore. These were replaced in the late 18th century by so called jackyard topsails that were shaped very much like a jib sail (as illustrated on both fore and main mast in the painting at the header). This configuration of sail made the schooner a viable option for all types of conditions as she did not have to run before the wind to attain high speeds, as was the case with square-rigged vessels. She could sail with the wind on any quarter, turn and tack more readily and quickly, and keep to coastal waters where larger, deeper draft ships would founder.
This speed, ease of handling and ability to be run by a smaller crew, as fore-and-aft sails were more easily handled than square rigging, made the schooner the ship of choice for just about every use. By the dawn of the 19th century, she was being built in Europe as well as the U.S. and could be found in virtually any port around the world. She was used as a mail packet, a tender for ships of the line, a troop and supply transport. Most notably, she was a favorite vessel of both pirates of the Golden Age and the new breed of privateers that came after them. A stop in the Laffite brothers’ Barataria Bay circa 1810 would have revealed half a dozen schooners of various rigging at anchor at any given time. Along with the hermaphrodite brig – which itself was a variation of the schooner type – nothing was more trusted or handy in the Gulf of Mexico and the Caribbean at the time.
Because of its popularity with the men of a piratical bent, the schooner was also the ship of choice for the best of pirate hunters. David Porter, the brilliantly successful Commodore of the Mosquito Fleet that virtually wiped out the tail end of the pirate class in the West Indies, counted on schooners to enter lagoons and bays around islands like Cuba. This allowed him and his men to ferret out the worst offenders and relieve U.S. merchants of the predations that were costing the entire country an arm and a leg.
In the 1840s, with the dawn of the California gold rush and the need for even more speed, the schooner type was modified again. Square rigging was added to her light frame, along with a third mast, and the legendary clipper ship was born. Schooners are still a favorite vessel with sailors of all types, myself included. Their ease of handling and beautiful lines are hard to resist. And what could be better than to be aboard a fast runner on a clear day? Not much at all.
Header: Early 19th century clipper ship by an unknown artist
The word schooner is a conundrum as there are similar words in most Latinate languages and German as well. John Batchelor and Christopher Chant offer that the word actually comes from the Scottish dialect of Gaelic in their The Complete Encyclopedia of Sailing Ships. According to them, schooner derives from scoon:
… a verb describing the skipping progress of a stone skimmed over the water.
No more poetic description could be used to help one imagine the quick, bouncing form of a schooner in full sail. The sails, routinely fore-and-aft, were rigged on two masts and at first included one or two square topsails on the fore. These were replaced in the late 18th century by so called jackyard topsails that were shaped very much like a jib sail (as illustrated on both fore and main mast in the painting at the header). This configuration of sail made the schooner a viable option for all types of conditions as she did not have to run before the wind to attain high speeds, as was the case with square-rigged vessels. She could sail with the wind on any quarter, turn and tack more readily and quickly, and keep to coastal waters where larger, deeper draft ships would founder.
This speed, ease of handling and ability to be run by a smaller crew, as fore-and-aft sails were more easily handled than square rigging, made the schooner the ship of choice for just about every use. By the dawn of the 19th century, she was being built in Europe as well as the U.S. and could be found in virtually any port around the world. She was used as a mail packet, a tender for ships of the line, a troop and supply transport. Most notably, she was a favorite vessel of both pirates of the Golden Age and the new breed of privateers that came after them. A stop in the Laffite brothers’ Barataria Bay circa 1810 would have revealed half a dozen schooners of various rigging at anchor at any given time. Along with the hermaphrodite brig – which itself was a variation of the schooner type – nothing was more trusted or handy in the Gulf of Mexico and the Caribbean at the time.
Because of its popularity with the men of a piratical bent, the schooner was also the ship of choice for the best of pirate hunters. David Porter, the brilliantly successful Commodore of the Mosquito Fleet that virtually wiped out the tail end of the pirate class in the West Indies, counted on schooners to enter lagoons and bays around islands like Cuba. This allowed him and his men to ferret out the worst offenders and relieve U.S. merchants of the predations that were costing the entire country an arm and a leg.
In the 1840s, with the dawn of the California gold rush and the need for even more speed, the schooner type was modified again. Square rigging was added to her light frame, along with a third mast, and the legendary clipper ship was born. Schooners are still a favorite vessel with sailors of all types, myself included. Their ease of handling and beautiful lines are hard to resist. And what could be better than to be aboard a fast runner on a clear day? Not much at all.
Header: Early 19th century clipper ship by an unknown artist
Sunday, December 4, 2011
Seafaring Sunday: Three Knots
December 3, 1787: A steamboat piloted by James Rumsey and loaded with two tons of ballast achieved three knots against the current on the Potomac River in West Virginia. Eight lucky passengers were along for the auspicious ride.
Header: Modern steamboat via Industrial Revolution in America (dotcom)
Header: Modern steamboat via Industrial Revolution in America (dotcom)
Saturday, December 3, 2011
Sailor Mouth Saturday: Hail
While fair weather and a hale crew is always to be wished for aboard us, there’s more to be said about hail than hale, at least at sea.
Of course a man can hail from a city, state or country, whether it be his place of birth or where he currently resides, but so can a ship. She is said to hail from her port of origin, generally the place where she is registered. As an example, Renato Beluche’s schooner Spy, a privateer for the U.S. during the War of 1812, hailed from New Orleans as her letter of mark was endorsed by the Commodore there, Daniel Tod Patterson. Thus any prizes she obtained should rightfully be brought in to NOLA, weather and the soundness of the ship permitting. I will note, purely as a family aside, that the two men hated each other; war makes strange bedfellows indeed.
A ship can itself be hailed, and it is not only in naval service that certain rules apply for doing same. In general parlance, the ship doing the hailing will call “From whence do you come, and where bound?” The answer to these questions should be immediate, or suspicion is aroused. Ships may pass within hail when an urgent need for exchange of information precludes putting boats over the side or time does not permit same. In this case the senior vessel – determined by who is in command – heaves to while the junior passes her stern to receive orders or intelligence.
Hailing a ship at sea was done by voice, flag or gun depending on both distance and the situation. Hail shot was very small balls used specifically for hails and salutes. In the 15th and 16th centuries, a small cannon known as a hailshot piece was supplied to ships for this purpose. Its trajectories were small cubes of iron known as dice.
A man’s good friends within his mess, which may be all of them if he is fortunate, would be known to him as hail fellows. In essence, good company and brothers.
Hailing aloft is done to call the attention of those men who are up in the rigging. As Admiral Smyth snidely remarks in The Sailor’s Word Book:
… call men in the tops and at the mast-head to “look out,” too often an inconsistent bluster on deck.
And that is enough bluster for one day, I shall say. Fair winds and a following sea to all the Brethren. I’ll see you here tomorrow for Seafaring Sunday.
Header: Clipper Ship by Captain Arthur Small
Of course a man can hail from a city, state or country, whether it be his place of birth or where he currently resides, but so can a ship. She is said to hail from her port of origin, generally the place where she is registered. As an example, Renato Beluche’s schooner Spy, a privateer for the U.S. during the War of 1812, hailed from New Orleans as her letter of mark was endorsed by the Commodore there, Daniel Tod Patterson. Thus any prizes she obtained should rightfully be brought in to NOLA, weather and the soundness of the ship permitting. I will note, purely as a family aside, that the two men hated each other; war makes strange bedfellows indeed.
A ship can itself be hailed, and it is not only in naval service that certain rules apply for doing same. In general parlance, the ship doing the hailing will call “From whence do you come, and where bound?” The answer to these questions should be immediate, or suspicion is aroused. Ships may pass within hail when an urgent need for exchange of information precludes putting boats over the side or time does not permit same. In this case the senior vessel – determined by who is in command – heaves to while the junior passes her stern to receive orders or intelligence.
Hailing a ship at sea was done by voice, flag or gun depending on both distance and the situation. Hail shot was very small balls used specifically for hails and salutes. In the 15th and 16th centuries, a small cannon known as a hailshot piece was supplied to ships for this purpose. Its trajectories were small cubes of iron known as dice.
A man’s good friends within his mess, which may be all of them if he is fortunate, would be known to him as hail fellows. In essence, good company and brothers.
Hailing aloft is done to call the attention of those men who are up in the rigging. As Admiral Smyth snidely remarks in The Sailor’s Word Book:
… call men in the tops and at the mast-head to “look out,” too often an inconsistent bluster on deck.
And that is enough bluster for one day, I shall say. Fair winds and a following sea to all the Brethren. I’ll see you here tomorrow for Seafaring Sunday.
Header: Clipper Ship by Captain Arthur Small
Friday, December 2, 2011
Booty: A Table Fit for a Commodore
As is tradition here at Triple P, Fridays this December will feature gift suggestions for the seafaring man or woman in your life. This year we’ll be all across the board with stocking stuffers, modern wearables and today, historical tableware.
Setting a table at sea was always tricky at best. The movement of the ocean made keeping china and silver in its place more troublesome than one might imagine. Fine dining sometimes went completely by the board due to weather or war but, whenever possible, most captains did and still do like to set a nice table. This included those of the piratical variety, where only the basest of louts wouldn’t take the opportunity to show off their plunder in the form of gilt chargers and silver flatware.
Established navies were almost duty bound to provide a decent table not only in the captain’s cabin but also in the wardroom, where the officers messed. This included linen, china, crystal and sterling – particularly when company called. Wooden trenchers were considered barbaric by the dawn of the Age of Exploration, no matter how much better they functioned in choppy conditions. Anxious stewards polished silver, kept china from cracking and bleached linen white in all conditions out of pure pride. The best literary example of this is probably O’Brian’s character Preserved Killick, steward to Jack Aubrey throughout the Aubrey/Maturin series.
If you or someone you love might have an interest in dressing their table in pure nautical style, you need look no further than The Pirate’s Lair. This enchanting website offers historical china, silver and linen from some of the world’s foremost navies, past and present. Not only are the navies of the U.S., Canada, France, Britain and Spain well represented, but pieces from many other navies are available too. To point out just a few you’ll find china from the Brazilian Navy, the Greek Navy and the Nigerian Navy.
The prices are not bargain basement by any means, but just one china or silver serving piece would make a nice addition to any table and certainly start a conversation or two. I’ve got my eye on the U.S. wardroom officer blue fouled anchor insignia large, deep pre-WWI serving bowl. Nothing says Christmas like a navy serving bowl. Anchors aweigh!
Header: Formal table setting featuring U.S. Navy china, silver and linen via The Pirate’s Lair
Setting a table at sea was always tricky at best. The movement of the ocean made keeping china and silver in its place more troublesome than one might imagine. Fine dining sometimes went completely by the board due to weather or war but, whenever possible, most captains did and still do like to set a nice table. This included those of the piratical variety, where only the basest of louts wouldn’t take the opportunity to show off their plunder in the form of gilt chargers and silver flatware.
Established navies were almost duty bound to provide a decent table not only in the captain’s cabin but also in the wardroom, where the officers messed. This included linen, china, crystal and sterling – particularly when company called. Wooden trenchers were considered barbaric by the dawn of the Age of Exploration, no matter how much better they functioned in choppy conditions. Anxious stewards polished silver, kept china from cracking and bleached linen white in all conditions out of pure pride. The best literary example of this is probably O’Brian’s character Preserved Killick, steward to Jack Aubrey throughout the Aubrey/Maturin series.
If you or someone you love might have an interest in dressing their table in pure nautical style, you need look no further than The Pirate’s Lair. This enchanting website offers historical china, silver and linen from some of the world’s foremost navies, past and present. Not only are the navies of the U.S., Canada, France, Britain and Spain well represented, but pieces from many other navies are available too. To point out just a few you’ll find china from the Brazilian Navy, the Greek Navy and the Nigerian Navy.
The prices are not bargain basement by any means, but just one china or silver serving piece would make a nice addition to any table and certainly start a conversation or two. I’ve got my eye on the U.S. wardroom officer blue fouled anchor insignia large, deep pre-WWI serving bowl. Nothing says Christmas like a navy serving bowl. Anchors aweigh!
Header: Formal table setting featuring U.S. Navy china, silver and linen via The Pirate’s Lair
Thursday, December 1, 2011
Tools of the Trade: Knowledge of Sail
Over at Blue Lou Logan’s seafaring blog, Lou is currently reviewing Patrick O’Brian’s Aubrey/Maturin novels. This labor of love is a well done refresher and memory jogger for anyone who has read the series. For those who have only read a book or two, or none at all, there is no doubt that Lou’s posts will make you want to jump in with both feet. For me, the posts bring to mind my “first time”, if you will, and all the conundrums of “sailor speak” that came with tackling O’Brian. Something, I will say as an aside, you wouldn’t want to do physically; he was a fragile little man and things could easily get ugly.
One of the many hurdles to jump mentally was understanding the language of the sail. While I personally had been around sailing boats most of my life, the sails of a frigate or – even more daunting – a ship of the line could turn my head pretty quickly. Jib I understood, but topgallant royal or any kind of studdingsail were hard to place.
The best resource that I have found in this regard, and many others, is Dean King’s A Sea of Words. Written as a companion to O’Brian’s novels it also handles many of the historical details that may fly past the reader as they focus on the story, including the nuts and bolts of Napoleonic era sailing. The handy chart of sail above (a 19th century engraving similar to those found in King’s book) is just one example. While the above chart does not cover every possible sail from stem to stern, it does show those most frequently let out on a ship of frigate size. Here are the period correct names (approximately 1650 to 1875) for each sail pictured per the numbers noted:
1) flying jib, 2) jib, 3) fore topmast staysail, 4) fore staysail, 5) fore course (or foresail), 6) fore topsail, 7) fore topgallant, 8) main staysail, 9) main topmast staysail, 10) middle staysail, 11) main topgallant staysail.
Note that the cables known as stays, which hold the fore and aft sails, also serve the purpose of keeping the masts upright through tension which is then counteracted by back stays. Back stays, it should be noted, do not have corresponding sails.
12) main course (or mainsail), 13) main topsail, 14) main topgallant, 15) mizzen staysail, 16) mizzen topmast staysail, 17) mizzen topgallant staysail, 18) mizzensail, 19) driver spanker, 20) mizzen topsail, 21) mizzen topgallant.
With the knowledge of these sails firmly in the reader’s mind, just about any seafaring novel can be more readily understood, at least when one encounters issues of sail.
As a final note, if you’re wondering what those sails – often referred to as canvas – were made of it is probable that you already know the answer. After the medieval period, when linen was the favored fabric, sails rightly went by their moniker; they were almost exclusively made of cotton canvas until the modern era.
So topgallants and flying jib as well, if you please; fair sailing and good reading to you all.
Header: Mid-19th century engraving of a Royal Navy frigate with sails numbered via sporcle.com
One of the many hurdles to jump mentally was understanding the language of the sail. While I personally had been around sailing boats most of my life, the sails of a frigate or – even more daunting – a ship of the line could turn my head pretty quickly. Jib I understood, but topgallant royal or any kind of studdingsail were hard to place.
The best resource that I have found in this regard, and many others, is Dean King’s A Sea of Words. Written as a companion to O’Brian’s novels it also handles many of the historical details that may fly past the reader as they focus on the story, including the nuts and bolts of Napoleonic era sailing. The handy chart of sail above (a 19th century engraving similar to those found in King’s book) is just one example. While the above chart does not cover every possible sail from stem to stern, it does show those most frequently let out on a ship of frigate size. Here are the period correct names (approximately 1650 to 1875) for each sail pictured per the numbers noted:
1) flying jib, 2) jib, 3) fore topmast staysail, 4) fore staysail, 5) fore course (or foresail), 6) fore topsail, 7) fore topgallant, 8) main staysail, 9) main topmast staysail, 10) middle staysail, 11) main topgallant staysail.
Note that the cables known as stays, which hold the fore and aft sails, also serve the purpose of keeping the masts upright through tension which is then counteracted by back stays. Back stays, it should be noted, do not have corresponding sails.
12) main course (or mainsail), 13) main topsail, 14) main topgallant, 15) mizzen staysail, 16) mizzen topmast staysail, 17) mizzen topgallant staysail, 18) mizzensail, 19) driver spanker, 20) mizzen topsail, 21) mizzen topgallant.
With the knowledge of these sails firmly in the reader’s mind, just about any seafaring novel can be more readily understood, at least when one encounters issues of sail.
As a final note, if you’re wondering what those sails – often referred to as canvas – were made of it is probable that you already know the answer. After the medieval period, when linen was the favored fabric, sails rightly went by their moniker; they were almost exclusively made of cotton canvas until the modern era.
So topgallants and flying jib as well, if you please; fair sailing and good reading to you all.
Header: Mid-19th century engraving of a Royal Navy frigate with sails numbered via sporcle.com
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